this time around, its with his favourite housemate and sidekick - sergio santos - that tanner ross teams up. the duo creates two eye-opening tracks, that leave the expert-listener in fascination. dont be scared for not being able to identify this to any previous style...

this is the second vinyl to celebrate >5 years dirt crew recordings<, it features more exclusive tracks that are not on the digital compilation.

yc‘s adultnapper has built a reputation for himself that not only commands respect for his highly evolved production skills, but also for his unique musical visions that steer him down his own unique path. not interested in following the current pop-trends, adultnapper turns in a freaky two tracker using a sharp, modular and timeless electronic sound palette. ‚almost nothing‘ is a complex and reduced spacer that features wonderfully processed drums and endless tweaked out studio trickery. haunting smatterings of melody, synth texture and paranoid-funky vocals drop in and out of the mix as this deep acidic groover charms you from the inside. poker flat regular patrick chardronnet provides a wicked remix that begins along the same reduced, textural tip as the original, yet builds into a breathtaking organ led harmonic climax. dramatic, uplifting and main-room friendly chardronnet‘s remix opens up the spectrum once again as audiomatique continues to surprise. ‚white fingers black hair‘ is the b side jam from adultnapper. a skipping, similarly complex and meandering groove is jacked up with some dirty hats and a playful synth theme that revolves around the track, amongst building strings and gated snares as its freaky climax is unveiled. super, off the wall stuff from nyc‘s chief mindwaper himself

once again jay denes and lisa shaw come together to make a slice of vocaly and emotionly motivated music that pulls from classic r&b (i.e. gladas night and marvin gaye, not destinys child) as much as modern deep house. the moustached boy wonder comes in as the petalpusher and gives us his tough beats, pretty basslines and memorable melodies that make for a classic miguel migs mix. the besoul mix is all bassline, the kind that makes you immediately start bobbing ya head like a chicken and wanna start dancing all sexy on the closest person available. what can you say, naked music makes soul music for the year 2002, futuristic funk for the lovers.

another outstanding deep house release from the naked camp with brilliant remixes from andi caldwell, lance desardi and artist/production team fenomenon. their mix actually leads off as a1 and deservedly so. a slick broken beat excursion that uses the full vocal by ernesto and lifts the track to another musical dimension. caldwell and desardi opt for not using the vocal and creating two pumping dubs that fit the naked mood beautifully. desardi turns out a hot deep tech electronic mix that fans of francois k should check out!

limited red vinyl one sided 7 inch featuring a preview from the forthcoming trusme album >in the red<. >bail me out< is a colloboartion between trus me and dam-funk and is a low slung, soulful boogie interpretation of the 1981 disco epic >wheel me out< by was (not was). check!

eklektisch is the brand new label from current spanish super talent edu imbernon. launching with impact, the first release sees compatriot uner showcase his ever popular talents with >labaneria< whilst on remix duty more high level production from julian chaptal, coyu & edu imbernon and affkt. a label not to miss!

get ready for another monster release on the third movement... the classic hardcore bomb >attack< by unexist gets a slammin 2009 treatment, and what a 12 inch is this! on the a-side mad dog (traxtorm records) delivers a superb remix which will be one of the biggest highlights on each and every hardcore party this winter, a terrific remix in the typical mad dog stylee so a true must have for all hardcore fans out there... the flip side offers the cool devour remix, a massive breakbeat remix which will be highly appreaciated by all underground lovers, also the dubstep heads will surely pick this one up! and on top of this the original mix is offered, which is especially remastered for this release... top notch piece of hardcore vinyl, do not miss out!

with the release of their new single, >you got me burnin<, the long wait for the new track from the dj / producerteam, milk & sugar has finally ended. as in their last single >stay around<, the munich duo has skillfully intertwined their typical house grooves with the soulful voice of ayak, who once again delivers a dynamic, energeticperformance. milk & sugar reconfirms with this new song that for a great house track, not much more is needed than a driving beat, a phat bassline, piano and a good hook.
last october, their previous co-operation with ayak, >stayaround<, reached top positions on the club charts in england. this, despite the fact that the track had alreadybeen released in 2007…

emphatic labelowner dj stay is no stranger to the scene with numerous releases on the big spanish labels and also on his own imprint. this is already the 6th release on emphatic and what a stormer! not only dj stay representing, but also the spanish technohero: david moleon. portugees superstar dj link (amigos) and aka carl all deliver the goods on this one!

ed rush & nicos >defect< was originally released in 1996 on the no u turn label as the flipside to >mothership< andfeatured on the classic >torque< compilation album. no u turn not only influenced a generation of drum & bassproducers but the labels sound also resonated with techno producers around the world and that influence can still be heard today. now defect returns on perc trax with 2 new mixes to form a truly unique release. this is the 1st time no u turn has granted a license for a remix and the respect that both remixers have the label is clear from the mixes they have produced.

the 90s were without doubt the revolution of a genre of music called house music for those who remember when house was house. one of the biggest tunes in 1990, which made house music a crossover sound, was double dee feat. danny losito – found love. it was not just a record of many, it was the record of that time. now danny losito aka mr. double dee strikes again with a fantastic song and vocal performance in 3 versions to choose from.

brand new ep on qalomota records. we proud to present you a new producer. directly influenced by the dance culture party from club djoon. dj steaw dj/producer from the city of rennes (brittany, france), bring us this ep. a good piece of deep, soulful, cluby and arfo influence, just create to feed the housedancers and househeadz. you will able to recognize the old skool feeling like nervous records or nu groove and also feel the touch of the more recent procucers like ralf gum, culoe de song, marlon d, dennis ferrer... first but not the last ep on qalomota records for sure...

baddies are an indie rock band from southend, essex, who released their debut single battleships in october 2008. identical twins michael and jim webster are joined in baddies by danny rowton and simon bellamy. it has been said that they make hi octane alt pop that recalls the likes of klaxons and queens of the stone age. big, ballsy bass heavy hooks delivered at breakneck speed (bbc)!!

limited edition 2 x 12 inch double album vinyl!
nu electro vol. 2 features 12 specially mixed full length versions of the freshest, biggest and latest electro tracks, of which many are exclusive to the album and not available to buy anywhere else at this time. the double-vinyl also feature 2 incredible and exclusive bonus mastermixes.
nu electro vol.1 vinyl sold out in a matter of weeks - so get your copy quick!

all the tracks on this double vinyl demonstrate his innovative approach to music, running the full spectrum from soft ambient interludes to the more uptempo beat trickery. accept manages to combine both extremes and is an apt opening track, demonstrating the two faced nature of aardvarcks productions, highly constructed beats and beautiful melodies. taa baa sounds like it emerged straight out of londons co op, though aardvarck has not been to this broken beat mecca. th #1 is pure ambient bliss and followed by the deep spacious beats of dim. steps is based around a seriously crunched up hip- hop break, think domu scrapping with the funkstorung boys. the original version of zom is track 7 (ignore the tracklisting on the cd) whilst the stunning remix by attica blues tony nwachukwu is actually track no. 17. upset is based around deep raw bass, the structure of the track is created with pin point beat work. flight simulator is a silky smooth journey, proving that aardvarcks beats dont have to be broken. the stuttered synchopated bass stabs of th#3 combined with its fearsome breaks push the edge of the nu jazz envelope and gentle is an uptempo number combining the skip of 2 step with smooth german jazz styles - one for the quirky jerky types on the dancefloor. th#6 is another deep ambient soundscape helping to ease the pressure after the frantic percussion of knet. stampot shows aardvarcks ability to counter fearsome rhythms with melancholy chords, the forward flowing synths float the listener over the near chaotic drum programming. finally, the album closes with the weeping strings and treated piano of anders, bizarrely twisted and warped sonics. one beautiful voyage!

coloured vinyl! ike delivers his second release on philpot records after the infamous >pressin on< ep (php031) which was massively played out by dj koze, laurent garnier a.o… not losing the thread ike strikes again with his special mixture of raw funk and classy house-music. all tracks on this 12inch are lost & found tracks from ikes 4-track reels, so please excuse the somewhat ruff textures

sebo ks last release on mobilee, diva, was a hit, and one of mobilees most popular tracks in 2008. since then hes primarily stayed under the radar, popping up only momentarily to release a track on cecille in july of 2009. with his new release spirits, sebo returns not only to mobilee but also to the sonic tropes that propelled him to success in the first place. undulating melodics that stretch like rubber bands, a funky bass line, and a jacking house beat: within the first few seconds of hearing spirits one immediately recognizes the slew of sounds with which sebo k made his name. the track takes its time to build as well, riding the groove for a bit before bringing a singular, high pitched note into the picture. as it continually gains momentum and rises in intensity, the captivating sounds of a piano arrive, adding yet another layer of familiar and hypnotic melody. all the tracks components merge seamlessly, with percussive accents here and there until staccato strings make a dramatic entrance, fluttering and dialogue with the rest of the tracks components. by the end of the track, the piano has gotten back in the drivers seat, steering the track along it s course. the drum version builds off the vintage house sounds of the a-side but substitutes extensive percussion from max moya for the strings and piano

paul ritch covers the a-side with a faster paced house version encompassed in a rich background of high intensity and psychedelic notions while prompt spoils his listeners with a relaxing yet slightly trippy experience. last but not least henry saiz leaving the listener pleasantly lost in seven minutes of sheer techno heaven

played by karotte !!! with his newest ep on wagon repair (ghosts in the ai - wag058), mathew jonson looks to both the past and future to create a stunning release. track 1 - ghosts in the ai - is the first solo production that was made in wagon repairs new berlin studios. finally, in a real place to work, and with a lot of new gear to play with, mathew focuses on evoking both the future and technology to wonderful affect. track 2 - technology - comes from mathews past as it was created around the same time as tracks like octagon came out on iiwii. originally, it was going to be the first cut on his debut album that he was planning to release. on the day that mathew was looking for a b-side track for the ghosts in the ai ep, his brother, nathan (hrdvsion), played it over the phone asking him why he had not released it, as it was one of nathans favourites. it worked much better than the other track that was going to be on here so thanks, hrdvsion. track 3 - the alchemist - comes from mathews involvement this summer producing the music score for the old classic silent film faust, which was screened, complete with cobblestone jazz playing the score live, at the 2009 timewarp festival. the alchemist was written for the scene when faust is working in his laboratory then walks out into the snow to summon the devil to help with his work. a fitting piece indeed!

bombstrikes returns with the next instalment in the highly acclaimed volume series. this time the party bombs are from two artists new to the label but who are no strangers to the funky breaks scene, badboe and prosper. the dane and frenchman have already established themselves as key players with a slew of floor rocking releases and dj shows…now they team up with the hottest label around and as you would expect the results do not disappoint!

big with carl cox, michel de hey, gel abril, slam, hernan cattaneo, kenny larkin, sasse, jamie stevens,... hell yeah proudly welcome on board enzo elia, a producer who genulily restores our faith into free range house music, if house is a feeling then enzo elia is going to touch your heart with this new 12 after his recent releases for be as one, lion1 and youngodds. we are not going to bore you with a long list of supporters or useless descriptions, just feel free to choose your favourite version between the peak time beat driven vocal main mix or the absolultely tripped out and moody afrologic version. if you love house music we are sure you are going to dig this! hell yeah!

smaul recordings should not be suggestive of being fed by productions of acid pauli, only. however, creative times need being used and martin gretschmann - aka console - member of the notwist - alias acid pauli has collected lots of material whilst the scarce time left last year. on smaul 07 he follows his self-weaved red thread of the year. acid pauli confides more & more in a certain house rhythm paired with these melancholic layered sound-synthesis, already well known by him. astonishing things emerge out of acid paulis musical waves, sometimes even scientially croon quite a bit. nymbiotic (a) comes relaxed but holds a great melody up in the sleeve - seasonly peppered. symbiotic (b) rests bit on minimal house, but acid pauli never relied on that genre. thus, this track does not remain as it seems after three minutes. glitches and sounds break it up to evolve a new symbiosis. symbiotic becomes more timeless in spite of siren-climax peaks and an obsessive string chorus fading in the end.

another blaster ep on the strong special series imprint. get ready for some serious funky techno bizzle from all your favourit artists. first up its man of the moment a.paul remixing ramons track turning it into a true floorburner. a.paul trademark bassline and the uplifting synths stay on top.. next up the french mat303 and josh love. josh just had his debut on patterns and its doing really well! this is samba bussiness for all the carnival people. big hit for rio!claudio opens the flip with his incredible sound. he is relatively known, but creates music like his been here for ages. mature techno for the masses.

the groovers sound is the result of a lot of late nights, forged and crafted with utter devotion to creating a unique sound. all our influences were bought into the studio and from the tension between a love and knowledge of various musical styles and modes, of temperament and personality we found that it clicked. the result of this collaboration between finn campbell-notman and steve ferrand is ten track collection of songs from slow to mid to house tempos. each time we worked on a track or song we asked ourselves >is this a groovers track< and the only criteria in deciding if it was was >does it feel like one or not< this feel that we were searching for is: that bittersweet, syncopated and soulful one that we both love regardless of genre. our influences range from deep deep dancefloor house, early downtempo, latin soul, boogie, southern funk, and shimmering techno

as the days get darker so shall the music, so on that note we welcome back the fold moscows own polymorphic with the ever turbulent rock on ep. this time out polymorphic delivers the goods with 3 new tracks, rock on, scream & move faster. the ep also features a remix of the title track by marseille who also had a hand it turning out proxys raven last year. this ep is not for the feight at heart. both mixes of rock on tear things up with a decidely old school electro undercurrent while keeping things noisy and agressive on the top end. and there s only one thing we can really say about the last two tracks because they are that scary... scream will make you move faster.

> rollerskate< could be the most infectious song your going to hear this year. its far too easy to immediately get drawn in with the organic earthiness of aguayos musicianship. things get mixed up when diegors & the don move towards a more traditional cumbia tuned version and sanfuentes & alex thunders come up with a demented disco bass wobble. last but not least mexicos dark dancer rebolledo brings his signature beat(down) together with matiass mantra to new levels

we all know gunnar from countless kick ass parties in berlin. he has always been a reliable force as a dj, especially when playing together with fabiano. now he’s taken a turn at the tech house crossings towards upon you and had the right tracks on board to impress our head of a&r, marco resmann. he not only demonstrates his talents as a clever wordsmith but also his great musical taste with >cubicle< and >open you<, proving that everything that has been said about him is true.

all the way from new zealand to the urban landscapes of berlin, simon beeston is a man who likes diversity. this is not just evident in his choice of residence, but also in his musical output. following an ep on highgrade digital and a track on our various artists vol. vi record, simon now presents dusty back room, his first solo 12inch release on highgrade. the ep opens with the title track dusty back room, a track of strings and stabs, and a sound not exactly typical of previous highgrade releases. but when the music comes with such compelling energy and provocative atmosphere, were prepared to make an exception. new zealand meets berlin as we cast an eye over green landscapes and ocean swells, while the bumpy groove intoxicicates us with its magic spell. that simon beeston is a man of great contrast is clearly evident on the b-side with neon cringe and cymbolic. the percussive heat of the club brings us back from the organic landscape of his homeland and into the neon lights of the night. neon cringe resonates with a healthy dose of acid pump, while cymbolic provides a bass driven journey complete with cut up vocals and blistering cymbal rolls. this is a release that richly deserves its round number: highgrade number 70. especially with the addition of the bonus digital track tough luck, another highlight all of its own.

a classically-trained jazz virtuoso and national rock n roll hero in argentina, gutis double 12inch pack for desolat will leave you in no doubt of his ability to twist a snaking groove into something echoingly hypnotic. the tracks contained here are already a favourite in the record boxes of artists like loco dice, carl cox and marco carola, while gutis life story could itself be the subject of a story by jorge luis borges: >i leave to several futures (not to all) my garden of forking paths<. just two years after his first live sets in europe, desolat is proud to present gutis las cosas que no se tocan. the beats follow guti across continents: mr good vibes was composed in a hotel room in stuttgart after an argument with a friend, while the serious dancefloor vibes of sasa, the hustler and ieuuu were channelled in martinez studio. ieuuu and the hustler feature slices of glamorous, haunting vocals by jayson walker, a british singer that guti discovered on myspace. and sasa boasts gutis own vocal touches. meanwhile, the track aguanile is inspired by one of his favourite melodies as a child, one that he’s collected many versions of. the last track on the release, el campeon, reaches a bittersweet ending in the wide open space between percussive trills and a cut-out refrain, inspired by gutis favourite latin storylines of broken hearts and pain.

direct is stripped back, raw house tracks. bleepy yet with plenty of deepness, its refreshing to see a producer out there not following suit, but producing an individual sound. the direct remix comes in classic alvarado style, heavy tribal beats, dubby reverberations, trippy deepness, and dense and engaging production. his remix is already picking up support from the likes of dixon, rocky (x-press 2), paul woolford and jay tripwire.

drums have been discovered in almost every part of the world. drums first appeared, however, in excavation from the neolithic era. the oldest recorded drum is from 6000 bc. mesopotamian ruins contain small cylindrical drums that are as old as 3000 bc. egyptian tombs have yielded small drums used for ceremonies. several caves in peru contain wall markings depicting drums in various aspects of societal life. it is strongly suspected that indian drums from the middle east are as old as 5000 bc. the american indians used a series of wood and gourd drums for their celebrations and some of these drums are still used in ceremonies today. drums were not always used for music. in africa, where music is simply an interpretation of everyday life in sound, drums were used as speech. simply a pattern of beats played in a certain way could communicate vast amounts of information. jeff mills creates the drummer (pm-022). 6 track 12 vinyl ep. mills communicates through only a classic roland tr-808 drum machine, exclusively made for the purpose maker/axis. each track dedicated for the masters of the art form of drumming like: neil peart, billy cobham, buddy rich and others, mills explores how drum patterns and rhythms remain communicative on a higher level that has endured through evolution of humanity.

detroit, 1993. the burden brothers, known for their octave one project and 430west record label, start a new sub label called direct beat. it was created to release the techno electro sounds of inner city detroit. in 1995 the label was in full effect and released music produced by friends such as tommy hamilton, keith tucker, mad mike banks, will web and them self.
now 15 years later we know that direct beat was one of the big influences on how electro and techno is today. together with underground resistance, axis, m-plant in detroit and some like minded people in europe and artists such as drexciya, aphex twin, autechre and dopplereffekt it changed the way people looked at techno... it broke away from the dominant 4/4 kick and brought back the funk and emotion that disappeared once house and techno became popular and mainstream music in the early 90s.
we are happy to bring back direct beat records by making some of its classics available for a new generation. this is a part of techno music history we may not forget about! especially in these days that people consume more and more of the format tracks. this shows that emotion, passion and energy creates much more then just a dj tool... it creates tracks that become part of peoples life! and not for just one or two months in your i-pod... but for the rest of your life in your record collection! timeless classic collection... must have!

nope, this man is not a legend, yet! however he is in fact legendary already for his notorious live sets as well as a wide range of groundbreaking styles and sound he designed apart of the consensus way in the last 15 years. with his now presented astrodymics part1, richard bartz deals similar to the subway concept again with his past and transfers these late nineties space-disco drafts into the wonderful here and now. he delivers vivid funk-supercharged house which is at the same light as a feather and for sure a very sudatory matter. space-disco rules

fresh outa detroit comes the first release on beretta music sub label beretta red. a four track compilation featuring respected artists arthur oskan, third ear and kanzleramts dennis desantis, and label head honcho brian kage. bear trax ep vol 1 is a collection of luscious detroit inspired techno jams aimed firmly at the dancefloor. strictly limited to 200 copies, and if thats not enough comes on appropriately enough tasty red vinyl. it also comes with a code to download all tracks free in digital format... which we presume must be for the girlfriends ipod.

after three smashing va samplers, dutch based aftertaste recordings launches its first full ep in a series of limited gold vinyl releases. steven fallows aka >casual violence<, also appearing on latest aftertaste 12inch (ctrl del alt ep) has the honor to kick off. with >why so few ep< a dark and sinister story is told, consisting of five individual chapters. for those who thought proper pounding and industrial techno wasnt made anymore, do not fear, britain delivers something massive again..

with smashing contributions by electro lord legowelt from dirty brown the hague and bleep addict garçon taupe from the bourgeois slums of amsterdam, narrominded presents the fourth installment in its renowned split lp series. both sides of this split lp comprise a whole ep in length, and the contributions have in common that they are both deeply rooted in electro music.
on garçon taupes wittenburg ep, eighties infected drum computer beats and heavy bass lines pave the way for some rather cheerful and unpretentious melodies. the five tracks were mixed to tape at rude 66s triple six lounge studio, and reveal influences from electronic pioneers like yellow magic orchestra and mantronix, to todays acid freaks like luke vibert and like a tim. the end result is a catchy mixture of electro and acid.
legowelt explores the darker corners of electronic music in four tracks leaning on eerie vocals and grungy electro beats. his land rovers in astrophysics ep takes us to mysterious environments. we are spacing out on the force of the stars, the universe, etc, and dancing to hypnotic drums on a mystical trip to pago pago west samoa. legowelt not only knows how to to satisfy a dance floor, but is also capable of deeply appealing to the listeners imagination.

boogie house from ltj... no, not bukem, whereas luca trevisi, the longstanding producer from irma. sound machine is downtempo and full of groove. side b bpms are slightly faster in on the floor. more spacey deep house to enjoy dancing... get on the floor.

uk house music and disco superhero rob mello has been instrumental in shaping the evolution of the uk sound since way back when. through labels like classic, luxury service and the way ahead of its time disco elements series on azuli in the 90s, not to mention countless innovative remixes and collaborations, his production output has shone out like a supernova for well over a decade. this is a return to songwriting, to tracks with longevity and a timelessness which transcends forgettable vogues. butterfly is the debut release from this dynamic quattro known as beulah heights - three producers/writers and one singer. a dream team collaboration between royal college of music and child prodigy lyn goddard, dj/producer and film scorer rob mello, producer/dj nathan boddy aka the illustrious office gossip and the amazing vocal talent of singer katie beadle. so here we have it, the majestic first release on beulah heights. a slowly pulsating monster of a cut, shot through with a futuristically executed homage to early 80s productions and more than enough girth to guarantee a powerful response from the floor. already road tested to rapturous response, this is an absolute beauty.

barely recovered from his summer monster edit on mindless boogie ( why dont you dub), rove dogs is now introducing his new project with jeff lasson: get a room! from cosmo vitelli to disco bloodbath, all the disco not disco specialists gave an early support to this french duo: “ in a crate full of so many average edits, the get a room! dynamic duo create mini masterpieces...” trevor jackson

badmotorfinger got lost amid the blockbuster success of nevermind and ten (all were released around the same time). but the fact is that, though they re all great records, badmotorfinger is much less accessible by comparison. not that it isnt melodic, but it also sounds twisted and gnarled, full of dissonant riffing, impossible time signatures, howling textural solos, and weird, droning tonalities. its surprisingly cerebral and arty music for a band courting mainstream metal audiences, but it attacks with scientific precision. part of that is due to the presence of new bassist ben shepherd, who gives the band its thickest rhythmic foundation yet and, moreover, immediately shoulders the departed hiro yamamotos share of songwriting duties. but its apparent that the whole band has greatly expanded the scope of its ambitions. and badmotorfinger fulfills them, pulling all the different threads of the bands sound together into a mature, confident, well written record. this is heavy, challenging hard rock full of intellectual sensibility and complex band interplay.

after surprising belgium and the rest of the world with their >zoopah dupah< and >heads up< eps, sound of stereo is back with a new, fresh sound best described as >something you should hear for yourself<.
in the past few months sound of stereo has been all over the place. not only have they played every large festival and venue in belgium & holland, their tracks have also been picked up by big names such as bloody beetroots, steve aoki, mstrkrft, armand van helden, crookers, congorock, jokers of the scene and many, many more.
with the new >zipper ep< comes a more mature sound that proves that sound of stereo is more than just wobbly beats and funny lyrics. the ep contains 3 brand new tracks that will be presented at i love techno on the 24th of october. the official release is scheduled exactly one month later: on the 24th of november. dont hesitate and get them while they are hot!

support from the worlds finest djs and artists such as pier bucci, argenis brito, butane, maetrik, gregory shiff, ambivalent, and id, barem, and noah pred.
this four-track vinyl is an absolute must have for those who love to play a chugging, driving style of minimal and techno. produced by barcelonas pablo bolivar, >looking for a shape<, pushes the depth and groove that he is known for, but in a more aggressive yet subtle way. the original doesnt allow one to breath with constant changes in percussion and amazing flow. his >phase two< track will annihilate the speakers in clubs with deep bass and is a sharp, tightly wound percussive masterpiece.
the remixes offered are by monkey brothers, who take a very different turn with the track and offer a soft vocal and is perfect for the dance-floor as it delivers a strong pop for those later in the night moments. finally, the last track on the record is hidden recordings owner deepak sharma + dieter krauses interpretation of the original. they have created a more slowed down, druggy, groovier version of the original. its not quite as smooth as the original and thats a good thing as the extra glitch is great for those who need more punch in their sets. there is something in this release for all kinds of djs.

who would have thought it, techno djs playing filtered house... well, earlier this year it happened, and it was pittos >feelin< that caused the sensation. the original and superb dub, has gone on to become one of the biggest club releases of 2009.whispered rumour of a remix package has abound, and these were confirmed with early copies of a district one remix finding support amongst the dutch elite.well now its time to confirm the rumour, and not only bring you the district one remix, but bolster the package with a devastating remix from the master, joris voorn. edwin oosterwal and voorns rejected label keep on delivering the hits. long may it continue!

luke slaters mote evolver label is not pulling any punches. having shaken the techno scene to its boots last month with the release of ortin cams no-holes-barred >carnage<, the label moves on to their funky 13th release.
the name cari lekebusch is synonymous with what has made techno the musical powerhouse that it has become. globally recognized as a founding force behind the swedish techno movement alongside the triumvirate of adam beyer, jesper dahlbäck and joel mull, lekebuschs distinctive musical style and creative integrity has graced leading label from drumcode to soma to harthouse and turbo and spawned a career that has maintained over nearly two decades.
spindizzy is a deftly crafted funked-up tech house track. constructed from a palette of harmonically aligned keys, bass and horns, its intensity comes from the measured way in which each element is given the space to breath its own energy into the mix. pacey but musical, subtle yet memorable, this is a standout record.
luke slater adding his bass sodden l.b dub corp twist to the track completes the package. deeply dubbed-out tribal rhythms take the mix on a more left-of centre path that winds through a busy soundscape of atmospheric acoustics that seem to breathe in deeply before being exhaled in a release of firing percussion.

raidens label always comes with something different from the usual d&b formula rubbish. martsmans track is very impressive, with his refreshing future sound. on the other side its business as usual from raiden with help from khanage, its funky, and not as full on as normal, but again right at the cutting edge. martsman got into drum&bass around the end of the 90s. debuting on new york based offshore recordings in 2005, he released on smaller as well as established labels like alphacut records or counter intelligence in the following years. in 2008, tracks on warm communications and hospital records sub label med school attract the attention of a steadily growing audience also from outside the drum&bass scene.

supported by: laurent garnier, llorca, rocco, jimpster, manuel tur, nick holder, delano smith, keith worthy, matt flores, henry l, nacho marco, stephane attias and many more
changes. always changes. life is changing but not for troubled kids. the deepest music choice still on the top of the label. an now it is time again for the spanish matador jesus gonsev, one of the troubled kids crew. he gives another massive bomb for your ears. this is the 5th release of the label with three diferent tracks as usual in jesus productions. elegant, groovy and a special touch for the dancefloor so use with caution when you play it! you are warned!

you may not have heard so much from andre (aka &me) so far. instead of the flash and glitter associated with most of his producer colleagues, hes preferred to stay in the shadows, co-producing and ghost writing for artists like dj hell and terranova. now after putting out his first solo single on keinemusik, which was supported by all the key players (front room label boss jesse rose, luke solomon, gabriel ananda, danny tenaglia and dubfire plus many more) &me is finally ready to go public as they say. he may have taken some time to figure out his own style of blending techno and house music but now hes out theres really no escape. with a name like an attention deficit childs mantra its a wonder he stayed in so long. the on ep is an excursion into the type of techno dusted pulsating minimal house that has been so big for artists like luciano esse and arnaud le texier and which is heard on heavy rotation in berlin meccas like bar25. with a side on ever present digital squelches (reminiscent of a rolf harrris style wobble board) are laid over shakers, stripped-back beat and the familiar on vocal. its not hard to understand why tiefschwarz have been rinsing it for quite some time now as a huge afterhours groover. b side talking days, swimming in lush deep techno elements, weaves through more melodic territory but is no less infectious

>minimal is cool but in the long term a bit too unsexy!< this statement of marcel knopf that is by now quite old, shows his heart does not beat for one genre after all. after the first and more technoid single release from his album >dusty dance< monsieur knopf satisfies his longing for real house with single no.2 >crazy about<. r&b singer camaras soulful voice leaves quite an impression on this powerful beat. in >skinny bitches< marcel knopf processes insane nights: you just want to drink a beer in your favourite pub but then you meet a couple of friends and they take you to the worst disco in town. this high-energy track is uncompromising and must be played during peak time and not during warm-up sets or after-hours.